ecns [expanded by feedex.net]: China's sweetheart

ecns [expanded by feedex.net]

ecns

China's sweetheart
http://www.ecns.cn/2013/01-29/47739.shtml
Jan 29th 2013, 05:00

2013-01-29 14:00 Global Times     Web Editor: Gu Liping
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Just this past Saturday, a concert in Wukesong, Haidian district, paid tribute to a pop star that has not graced the stage for nearly 20 years.


The concert was for the 60th birthday of Teresa Teng, who passed away in 1995 from severe asthma. Her songs are widely known in China and have influenced a whole generation.


Born in 1953, Teng first gained popularity in Taiwan and came to the Chinese mainland once it opened up after the Cultural Revolution (1966-76). She was undoubtedly a national icon and many grew up listening to her songs. To this day, she remains an iconic figure and lives in the hearts of her fans, even after so many years.


Though Teng was most popular in the '70s and '80s, she has impacted a younger generation as well.


Beijinger Li Zhen, 27, who works at the China Development Bank, said he grew up listening to Teng.


"I first heard her songs when I was 13 or 14," Li said. "The song was 'When Will You Come Again.' At first, I wasn't too attracted to it, but then I felt her voice. It sounded light and sweet, as if from heaven."


His parents are also fervent fans of Teng's and always played her songs at home when Li was growing up, adding to his fascination.


"She was also the first to sing of love in her songs [after the Cultural Revolution] and therefore had a great influence on people," Li said.


Teng is not only China's pop idol. She's also influenced expats. A musician from the multi-national punk band DUDE, who goes by only Matt, said his band plays Teng's two biggest hits - "Tian Mi Mi (Sweet Honey)" and "Yueliang Daibiao Wode Xin (The Moon Represents My Heart)" from time to time.


"When I went to KTVs all over China, they always played the famous songs from the '70s and '80s, especially songs from her, which was perfect," he said.


The band changes her melodies into a punk rock style, which gets a mixed reaction from audiences.


"There are some people that come and say it's awesome, but there are some who said they like the songs, but we're not playing them right," he said. In general, people are happy to hear Teng's songs. "Most of the time we play the song, people sing with us. Sometimes 200 people shout the lyrics out."


Wang Ge, a music critic, said Teng can be compared to Elvis Presley in terms of influence because they both touched on raw human emotions.


"Like Elvis Presley, she invoked an awareness of gender and sexuality issues - probably just pure romance in Teresa Teng's case - through pop music. That's what pop music is about, isn't it?" Wang said.


Wang said her popularity is also due to her timing. Teng came to the Chinese mainland after the opening-up in 1978 and brought romance to the people after they had gone through so much political turmoil, he said.


"In a way, the shocking transformation from revolutionary songs to Teresa Teng is like how people in the West went from 'How Much is that Doggie in the Window' to 'Hound Dog.' It was about repressed desires getting an outlet. That's especially the case for [Chinese mainland] fans," he said.


Wang said it would be hard for another national icon like Teng to rise in today's society.


"A national icon like Teng came somewhat from the lack of choice, because there weren't many pop stars around to choose from at the time. The Internet deconstructs idol worship. Weibo, Twitter, Tianya (and) TMZ ... put ordinary people in the same arena with celebrities, making nobody perfect anymore," he said.





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